UC New Media Research Directory
Huang, Yunte
February 2nd, 2007 under Faculty, Uncategorized

Director of Consortium for Literature, Theory, and Culture and Associate Professor of English, UC Santa Barbara
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Yunte HuangYunte Huang came to the U.S. in 1991 after graduating from Peking University with a B.A. in English. He received his Ph.D. from the Poetics Program at SUNY-Buffalo in 1999 and taught as an Assistant Professor of English at Harvard University from 1999-2003. He is the author of Transpacific Displacement: Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature (Univ. of California Press, 2002) and Shi: A Radical Reading of Chinese Poetry (Roof Books, 1997), and the translator into Chinese of Ezra Pound’s The Pisan Cantos. He is currently working on two book projects, “The Deadly Space Between”: Literature and History in the Age of Transpacific Imagination and Poetry and Globalization: Essays in the Poetics of Medium and Translation. He is Director of the UCSB Consortium for Literature, Theory, and Culture; an affiliated faculty member of UCSB’s interdisciplinary American Cultures and Global Contexts Center; as well as a participant in the NEH-funded Teaching with Technology project at UCSB titled Transcriptions: Literature and the Culture of Information.


 Links:      Home page | UCSB Consortium for Literature, Theory, and Culture | Transcriptions: Literature and the Culture of Information

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The breakdown of humanism accelerates through increasing collisions between flesh and technology, where the interface mediates the emergence of new posthuman spaces, hybrid realities of the machinic, the virtual, and the meaty. Where bodies bleed with machineries, where science bleeds with science fiction, the secure enveloping tissues of the human subject—cognitive, corporeal, and otherwise—rip apart. Within these wounds, these traumatic crash sites that become ever more refined through technical reductions approaching the quantum limits of fabrication, the natural and the constructed, the human and the nonhuman, wash together in a molecular flow. This confluence and convergence at the nanoscale thus makes possible a radical reshaping of reality, atom by atom. A reshaping of reality that, while still a fiction, is no less already a fact.
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